Collectible rare large women’s bag made in the USSR in the 1940s made of faux crocodile leather. This is a rare representative of antiques from the early Soviet Union. The bag has the following dimensions. Bag base length 14 inches, height 10 inches, handle height 8 inches, bag width 5.5 inches, latch length (lock) 3.5 inches, lock width 0.4 inches, bag weight 2.8 pounds. The bag is over 80 years old, excellent condition for such a respectable age! The bag has two handles, weaving in the form of braids. Handle height is 8 inches. The condition of the bag is very good and fully corresponds to its venerable age (more than 80 years). Before purchasing, carefully examine the condition of the bag in the photo. I showed a photo of all sides of the bag, as well as the inside, top and bottom, highlighting the handles of the bag and the lock of the bag separately. The metal lock of the bag shows signs of age – slight corrosion. The inside of the bag is lined with natural fabric, possibly satin, the inside lining has some color loss due to age. However, the outside of the bag looks good, no damage, no scratches, the color of the leather of the bag has not changed. The metal lock of the bag works, the handles of the bag are intact. Please read the description of the bag and the description of the condition of the bag carefully before purchasing, and review all photos and photographs of the bag in detail.
Superb Rare Large Heavy Antique Handcrafted Late Georgian / Early Victorian (1830s) Early Transfer Ware Blue “Old Willow” Semi Porcelain Charger (19″/49cm Long, 15″/38cm Wide, 2.7kg). If you are a “Blue Old Willow” fan then this is a marvellous piece for you. It’s large and heavy but well worth the investment and it will be packed very well to reach you safely. This item is one of the very earliest commercial transfer ware items ever produced in the UK. Close to 200 years old! It predates any porcelain marking periods in the UK. Beautiful original traditional blue old willow pattern in lovely condition as shown in 12 sets of photographs attached. If you are extremely particular, then I would advise there appears to be a repair area although this might well be a manufacture mark as there are no chips anywhere so please browse all 12 photos very carefully particularly along the edge. Any faults appear to be none malignant. Transfer ware is a style of decorated china created to sell to the emerging middle class of the Industrial Revolution in England. First produced in the late 1700s, the style caught on and has remained popular since the early 1800s. Transferware first started appearing on the market in the late 18th century, and exploded in popularity in the 1820s and 1830s. Although the styles of the transfers changed over the years, it has been made continuously since then. Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. Pottery decorated using the technique is known as transferware or transfer ware. The bulk of production was from the dominant Staffordshire pottery industry. America was a major market for English transfer-printed wares, whose imagery was adapted to the American market; several makers made this almost exclusively. The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic kitchen/housewares. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from China. Its creation occurred at a time when mass-production of decorative tableware, at Stoke-on-Trent and elsewhere, was already making use of engraved and printed glaze transfers, rather than hand-painting, for the application of ornament to standardized vessels (transfer ware). The exact moment of the pattern’s invention is not certain. During the 1780s various engravers including Thomas Lucas and Thomas Minton were producing chinoiserie landscape scenes based on Chinese ceramic originals. The Old Willow story is based on the Japanese fairy tale “The Green Willow” and other ancient fairy tales originating in China about the constellations that tell the story of two lovers separated and envied by gods for their love. The lovers can only meet once a year when the stars align. There is an English story about the plates that may or may not have links to China; it was first published as “The Story of the Common Willow Pattern Plate” in the magazine The Family Friend in 1849.
This antique desk clock is a true gem for collectors. With its owl shape and beautiful original painted, celluloid body, it is a stunning piece that will surely add character to any room. Manufactured in the early part of the 20th century, this clock is a genuine antique that boasts its original mechanical movement, works when shaken but will need attention. Measuring 6.5 inches in height, this cream-coloured clock is a perfect addition to any owl or Celluloid collection. The antique clock is an original piece and is sure to impress anyone who sees it. Its animal-themed design and originality make it a rare find that is worth the effort of acquiring.
Business & contact Information’. Can be found at the bottom-left of this page. For telephone inquiries, please. LARGE RARE PAIR EARLY 19thc ASIAN POLYCHROME CARVED HORSES WITH MUGHAL RIDERS. This is an exceptionally rare pair of Large Early 19th century Period Polychrome Painted. Carved Asian Stallion Horses with Mughal Warrior Riders. The magnificent, original and unrestored pieces portray a male and female Mughal Warrior Rider, each wearing an Indian Turban, with a pair of ancient-style earrings and carrying a sword on each side. Form, both of the horses and riders are of a stunning patination and each retains remnants of the original paint and pigmentation colours throughout. The horses retain their original Reins, original Bridles and their original Saddles. These period pieces are rare, they are on a grand country house scale, and they both date to at least the early part of the 19th century, and very possibly much earlier! Provenance: Direct from a private collection. Completely original and unrestored. Retaining remnants of the original paint and pigmentation. There are aged-related wood splits in places and a partly broken sword – see images. Ready to be enjoyed immediately. A Certificate Of Authenticity (COA) will be provided by artsonline with this piece. Great care and much time are taken over the safe transportation of the Fine Art and Antique pieces that we sell. We pack extremely carefully, so you can rest assured that your piece will arrive with you in perfect condition. Pay Securely – Telephone orde rs welcome.
We are proud to offer this impressive’PIERREFONDS. CRISTALLINE Vase by OLIVIER DE SORRA. This Art Nouveau vase superbly Potted with 2 handles, with striking drips of colours, beige, white, and a yellow and Turquoise Cristallized dots all. Art Nouveau potter Olivier de Sorra is known for the fine stoneware and crystalline glazes he produced at his factory, Pierrefonds. Moulded with stylized 2 Handled and glazed entirely in variegated shades of sky blue and tan with mottled Cristalline Turquoise and streaked patterns, this vase represents the technical achievements of the nineteenth century in ceramics to the XX century. This is A very Rare Large 2 handled Pierrfonds Vase in an amazing Condition. No restorations, chips, hairlines. Many examples in Museums around the world. PIERRFONDS AND D S FOR OLIVIER DE SOUZA.
Large and impressive Ridgways Rococo urn/vase dating to approximately 1840. This is a rare vase that I only managed to identify with the help of the online Ridgway pattern books and a very knowledgeable friend. The vase is of a distinctive form and decorated in a highly unusual way with a background of a colourful chinoiserie pattern but including Chelsea birds, a profile of what appears to be a Roman Centurion flanked by Mythical figures Sphinx? L it is rather crazy and every time I look I spot something new. The vase does have a chip to one “arm” of the handle but it’s not glaringly obvious. Base diameter 13.5cm.
A rare early 19th century Georgian bracelet in gilt metal. It is composed of open work panels set with agate cabochons. Beautiful agate stones in hues of red pink brown white. Length is 17.5cm each. About 44mm wide at the widest point. A substantial piece of jewellery weighing about 50g. One stone has a superficial fracture (see photos- hence price), but remains sturdy. Otherwise, very good condition. One of a pair. Given the value, I’m happy to take a return if you change your mind.
A very rare to find antique Edwardian era Minton porcelain breakfast tea trio comprising: – an oversized breakfast tea cup. Height 8cm, diameter 9.5cm – a large saucer. Diameter 16.3cm – a luncheon/salad plate. The items are enamelled with a lovely light turquoise/blue ribbon pattern. Marked as shown, date between 1912 and 1921 approximately. Condition: the plate shows minor discolouration and wear to the glaze as well as some wear to the gilding on the rim; there is a small chip on the base, it doesn’t affect use or display but mentioned for accuracy; the saucer has minor wear to the gilding on the rim; the cup appears to have hardly been used as the gilding is pristine and there is no tea discolouration inside; please refer to the photos for detail. PLEASE SCROLL FOR MORE PHOTOS. RARE Antique c1912 Minton Porcelain Breakfast Tea Trio Large Blue Ribbon Pat8466. Get images that make Supersized seem small. Showcase your items with Auctiva’s. Track Page Views With.
Offering this large antique wood storage pantry box. Measures 19.5″ x 10.75 x 5.75″ T. This piece has a great surface and natural dark patina. It’s a handmade piece with colonial style finger lap constructed with square cut nails. This is the largest size with this form I’ve seen. Has imperfection as seen in pics 3 and 6, the base and top edge but nothing loose or unstable. And top of wood isn’t perfectly level as seen in pic 11 but lid sits flush. Great piece for a cabinet or bottom of stack with oval/shaker pantry boxes.