RARE Antique Early California Impressionist Oil Painting, Mary Belle Williams

This is a lovely and exquisitely detailed RARE Antique Early California Impressionist Oil Painting on canvas, by early San Diego, California female painter Mary Belle Williams 1873 – 1943. This work depicts the expressive portrait of an unidentified female sitter, and approximately dates to the 1910’s. This is likely one of her first portraits after she moved to San Diego in 1906. Williams in the lower right corner. Approximately 16 x 20 inches. Overall good condition for 100+ years of age, with mild scuffing, light soiling and edge wear please see photos. Acquired from an old family home in Pasadena, California. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks! 1873 – Massilon, Ohio. 1943 – Los Angeles, California. Portrait, floral and landscape painting. Born in Massilon, OH on Dec. 13, 1873, Mary Belle Williams began art studies as a child and continued at the Art Students League in NYC. She moved from Canton, OH to San Diego about 1906 where her brother owned a gold mine in nearby Julian. In San Diego she maintained a studio in a building she owned at Seventh and Beech streets where Alfred R. Mitchell also lived and worked. Her last six months were spent in a hospital in Los Angeles where she died on June 21, 1943. San Diego Art Guild (charter member, 1915). Carnegie Library (San Diego), 1909 (solo); Panama Calif. Int’l Expo (San Diego), 1915 (silver and bronze medals); San Diego FA Gallery, 1927; Calif. Pacific Int’l Expo (San Diego), 1935; Calif. San Diego Public Library and Historical Society; State Museum Resource Center (Sacramento). Women Artists of the American West; San Diego Historical Society; San Diego Union, 6-25-1943 (obituary). Although one of the most popular women painters in San Diego, surprisingly little is known about the career of Mary Belle Williams. The daughter of Henry Alonzo and Alwilda (Beazel) Williams, both Ohio natives, Mary Belle began her study of art as a child. She moved to San Diego about 1906 with her father and brother, Howard, who owned and operated the Owens gold mine in Julian for many years. Julian was the inspiration for several of her paintings. The City Directories list her in San Diego at various addresses between 1906 and 1915. During this time, she frequently exhibited with the San Diego Art Association of which she was a member. In 1909, she had an exhibit of ninety works at the old Carnegie Library in downtown San Diego. She received a silver medal for her work at the Panama-California Exposition in 1915, and a bronze medal for miniatures at the international extension of that exposition the following year. There is no listing for Mary Belle in San Diego between 1916 and 1921, and perhaps her successes at the expositions encouraged her to take further study. It is possible that she went to New York, since one source indicates that she studied with artists in that city and attended the Art Students’ League there, but whether this was before or after her initial arrival in San Diego is not known. Returning to San Diego about 1922, Mary Belle once again became an active member of the local art community. A charter member of the San Diego Art Guild founded in 1915, she resumed her association and frequently exhibited with the group. She specialized in portraits, but also did many landscape and flower pieces. Her portrait of Mrs. Davison, San Diego librarian for many years, was exhibited at the California Pacific International Exposition in San Diego in 1935. A list of her portraits reads like a “who’s who” of San Diego. Her paintings demonstrate a vivid palette and bold color sense. Mary Belle’s studio was in the basement of an Irving, Gill designed building she owned at Seventh and Beech Streets. For a time in the 1920s, Alfred R. Mitchell rented the upstairs for his home and studio, and painting his well-known. Morning on the Bay. Mary Belle remained at this address until the last six months of her life which were spent in a hospital in Los Angeles. This item is in the category “Art\Paintings”. The seller is “willsusa_utzeqm” and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, Taiwan, South Africa, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Singapore, Switzerland, Norway, Saudi Arabia, United Arab Emirates, Qatar, Kuwait, Bahrain, Republic of Croatia, Malaysia, Chile, Colombia, Costa Rica, Panama, Trinidad and Tobago, Guatemala, Honduras, Jamaica, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Luxembourg, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Pakistan, Paraguay, Reunion.

Artist: Mary Belle Williams
Signed By: Mary Belle Williams
Size: Medium
Signed: Yes
Material: Canvas, Oil
Region of Origin: California, USA
Framing: Unframed
Subject: Fashion, Portrait, Women
Type: Painting
Original/Licensed Reproduction: Original
Item Height: 20 in
Style: Impressionism, Portraiture
Features: One of a Kind (OOAK)
Production Technique: Oil Painting
Country/Region of Manufacture: United States
Item Width: 16 in
Handmade: Yes
Time Period Produced: 1900-1924

Rare George I Hanoverian pattern basting spoon Zacariah Williams Plymouth c1718

A rare and wonderful George I Hanoverian pattern West Country silver basting spoon with a rat tail. The spoon is struck with the maker’s mark only, the Britannia Standard silver mark for Zacariah Williams of Plymouth, which he entered in 1717. Contemporary block initials’D over H. S’ to the reverse of the terminal. A heavy, tactile and pleasing spoon and a very rare collector’s piece. Britannia silver is an alloy of silver containing 11 ounces and 10 pennyweight silver in the pound troy, equivalent to 95.83% by weight silver, the balance being usually copper. This higher standard of silver content of 958 parts per thousand was introduced in England by Act of Parliament in 1697 to replace sterling silver (92.5% silver) as the obligatory standard for items of “wrought plate”. The lion passant gardant hallmark denoting sterling was replaced with “the figure of a woman commonly called Britannia”, and the leopard’s head mark of the Worshipful Company of Goldsmiths replaced with a “lion’s head erased”. Britannia standard silver was introduced as part of the great recoinage scheme of William III from 1696, when attempts were made to limit the clipping and melting of sterling silver coinage. A higher standard for wrought plate meant that sterling silver coins could not easily be used as a source of raw material because additional fine silver, which was in short supply at the time, would have to be added to bring the purity of the alloy up to the higher standard. Britannia silver is considerably softer than sterling, and after complaints from the trade sterling silver was authorised again for use by silversmiths from 1 June 1720, and thereafter Britannia silver has remained an optional standard for hallmarking in the United Kingdom and Ireland. The spoon is in super collector’s condition with really good definition to the maker’s mark, the inscribed initials, the rat tail and the terminal. Some wear from use to the leading edge of the bowl. Zacariah Williams Plymouth c 1718 Miles Harrison p294. I have many stunning pieces of collector’s silver in my shop, please look at my other items. I aim only to list antique silver items that are without damage, repair, alteration or undue wear. My silver pieces are ideal as special gifts, for collectors, for investors, or for resale by dealers. I provide clear descriptions and photos. The silver is photographed in flat natural light, but silver is so reflective that black spots from the camera and other reflections are sometimes unavoidable. Please check the dimensions of the object carefully as apparent size can be deceptive. Bank details provided on request. Sizes, weights etc are all approximate. This item is in the category “Antiques\Silver\Solid Silver\Cutlery”. The seller is “carlyonsilver” and is located in this country: GB. This item can be shipped worldwide.

Antique: Yes
Featured Refinements: West Country early silver spoon
Composition: Solid Silver
Product: Spoons
Style: Hanoverian
Age: Pre-1800
Material: Solid Silver
Brand: Zacaraih Williams
Pattern: Hanoverian

Tag: williams

RARE Antique Early California Impressionist Oil Painting, Mary Belle Williams

Rare George I Hanoverian pattern basting spoon Zacariah Williams Plymouth c1718

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